|What is my ethnicity:||American|
|My orientation:||Strong-willed man|
|Color of my eyes:||I’ve got big hazel green eyes but I use colored contact lenses|
|What I like to drink:||Ale|
|What I prefer to listen:||Folk|
|What is my hobbies:||Roller-skating|
For more information on the contributors and the program, please read here. For more information on the experiment, event program and collaborators, please read here.
A public disturbance: a review of parasite parking
Registration is obligatory as the seating is limited and the program consists of workshop and plenary sessions at different locations. Parasite Lottery adapts and fuses a lottery—a model for art funding that has remained stable, despite dwindling cultural funds in the Netherlands—and a commons-oriented micro-crediting system popular in Indonesia, arisan.
The gathering will mark the launch of INLAND Nederland, and will form an occasion for all those involved to address questions revolving around the countryside, agriculture and territories specific to the Dutch context, as well as their relations to art and culture. The latter will be produced by Wok The Rock in collaboration with Berlin and Yogykarta-based musician Frau Leilani Hermiasihand the lyrics will be written in collaboration with several Dutch art professionals.
Parasite Lottery is initiated by Yogyakarta-based artist and cultural activist Wok The Rock, and was developed in collaboration with Casco. Casco works as part of Arts Collaboratory.
It is a pilot version of a collective lottery system for art organizations in the Netherlands and their communities. These invoke key issues relating to cultural policies and their effects on art organizations, ranging from austerity measures and precarity to the debt economy, and questions concerning sustainability and solidarity.
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It invites arts organizations to be bidders through a lottery drawing system. Wok The Rock is an artist and cultural activist, active across the fields of contemporary art, de and underground music. His work in the Netherlands has been introduced at the exhibition Confessions of the Imperfect at Van Abbemuseum but is also known through the larger international occasions such as Documenta 13 and the 14th Istanbul Biennale.